You at your very best.
In life, we all strive to be the best version of ourselves. It’s a goal that is often talked about, but the steps to achieving it can be a mystery. Being the best version of yourself means something different for each individual, but the underlying principle is the same: becoming the best possible version of yourself that you can be. In this blog post, we’ll discuss what it means to be the best version of yourself and the steps you can take to achieve it.
What does it mean to be the best version of yourself?
Being the best version of yourself is about being true to who you are and living a life that aligns with your values and goals. It means living a life that is fulfilling and meaningful to you, rather than conforming to the expectations of others. It involves embracing your strengths and weaknesses, and continually working to improve yourself. It also means taking responsibility for your actions and decisions, and being accountable for your mistakes.
Steps to becoming the best version of yourself:
Set goals: The first step in becoming the best version of yourself is to set goals that align with your values and aspirations. These goals can be short-term or long-term, but they should be specific, measurable, and achievable. Setting goals will help you to focus your efforts and give you a sense of direction.
Embrace change: Growth and change are essential components of becoming the best version of yourself. Embrace new experiences, and be open to learning and trying new things. Change can be scary, but it’s often necessary to move forward.
Focus on self-improvement: Becoming the best version of yourself involves continually working to improve yourself. This may involve developing new skills, learning from your mistakes, or seeking feedback from others. Focus on personal growth, and don’t be afraid to ask for help when needed.
Practice self-care: Taking care of yourself is crucial to becoming the best version of yourself. This includes getting enough sleep, eating a healthy diet, and exercising regularly. It’s also important to take care of your mental health by practicing self-compassion and mindfulness.
Surround yourself with positive influences: The people you surround yourself with can have a significant impact on your life. Surround yourself with positive influences who support and encourage you to be the best version of yourself.
Be true to yourself: Being the best version of yourself means being true to who you are. Don’t try to be someone else or conform to societal expectations. Embrace your unique qualities and values, and let them guide your decisions and actions.
Conclusion:
Becoming the best version of yourself is a journey that requires time, effort, and dedication. It involves setting goals, embracing change, focusing on self-improvement, practicing self-care, surrounding yourself with positive influences, and being true to yourself. By taking these steps, you can live a life that is fulfilling, meaningful, and true to who you are. Remember, being the best version of yourself is not a destination; it’s a lifelong journey.
A Look at lighting for Headshots.
Lighting is one of the most important factors in creating a successful headshot. Whether you're a professional photographer or just someone looking to capture a great shot of yourself, understanding how to use lighting to your advantage can make all the difference. In this blog post, we'll explore some tips and techniques for using lighting to create flattering and professional headshots.
Natural Light vs. Artificial Light:
The first decision to make is whether you will use natural light or artificial light for your headshot. Natural light can be a great option for outdoor shoots, as it can create a soft, flattering look. However, it's important to note that natural light can be unpredictable, so you'll need to be prepared to adjust your settings or position as needed. Artificial light, on the other hand, gives you complete control over the lighting conditions. You can use studio lighting or even a simple setup with a softbox and a flash. If you're just starting out, artificial light may be the better option as it allows for greater control and consistency.
Positioning Your Subject:
Once you've decided on your lighting setup, it's time to position your subject. A common rule of thumb is to position your subject with the light source at a 45-degree angle to the side of their face. This creates depth and dimension in the image, while also highlighting the contours of their face. Make sure to position your subject so that the light is hitting their face evenly, avoiding any harsh shadows or uneven lighting.
Using Reflectors:
Reflectors can be a great tool for controlling and directing light. They can be used to bounce light back onto your subject, filling in any shadows or creating a softer, more diffused look. Reflectors come in a variety of sizes and colors, allowing you to customize your lighting setup to your specific needs.
Pay Attention to the Background:
While lighting is important, don't forget about the background. The background can either enhance or detract from your headshot, so it's important to choose a background that complements your subject. A simple, neutral background is a good choice for most headshots, as it allows the focus to remain on the subject.
Experiment and Have Fun:
Finally, don't be afraid to experiment and have fun with your lighting setup. Try different angles, positions, and settings to see what works best for your subject. With a little practice, you'll develop an eye for what looks good and be able to create professional-looking headshots that capture the personality and style of your subject.
In conclusion, lighting is a crucial component of creating successful headshots. By understanding how to use lighting to your advantage, you will produce beautiful images that help the viewer to see the personalty and character of the subject that give them a professional and approachable look to enhance their business.
What makes a great portrait?
A great portrait is more than just a picture of someone's face. It is a work of art that captures the essence of a person, their personality, emotions, and character. Whether you are taking a portrait of a loved one, a friend, or a stranger, there are certain elements that can make a portrait truly great. In this post, we will explore what makes a great portrait.
Lighting:
Lighting is one of the most important elements of a great portrait. It can create mood, add depth, and highlight certain features. The type of lighting you use will depend on the effect you want to achieve. Soft, diffused lighting can create a gentle and romantic mood, while harsh, direct lighting can create a dramatic and intense effect.
Composition:
Composition refers to the way elements are arranged within the frame of the portrait. A well-composed portrait is balanced, with the subject positioned in a way that is visually appealing. The rule of thirds is a good guideline to follow when composing a portrait. This means dividing the frame into thirds horizontally and vertically and positioning the subject at one of the intersecting points.
Focus:
The focus of a portrait should be on the subject's eyes, which are often referred to as the windows to the soul. The eyes should be sharp and in focus, with the rest of the face slightly softer. This draws attention to the subject's expression and emotions.
Background:
The background of a portrait can either enhance or detract from the subject. A cluttered or distracting background can take away from the impact of the portrait, while a clean and simple background can make the subject stand out. You can use props or backdrops to create a specific mood or theme.
Emotion:
A great portrait captures the subject's emotions and personality. The best way to achieve this is to create a relaxed and comfortable environment. Encourage the subject to be themselves, to laugh, to be serious, to be vulnerable. A great portrait should convey a sense of the subject's character and personality.
Technical skill:
Finally, a great portrait requires technical skill. This includes a good understanding of camera settings, lighting, composition, and post-processing. You should be able to create a portrait that is sharp, well-exposed, and properly edited.
In conclusion, a great portrait is more than just a snapshot of someone's face. It requires careful consideration of lighting, composition, focus, background, emotion, and technical skill. By paying attention to these elements, you can create a portrait that truly captures the essence of your subject.
Communication with Photographic models
When it comes to photography, the subject of the photo can make or break the image. As a photographer, it is essential to effectively communicate with your photographic models to get the best results. In this blog post, we will explore strategies for communicating with photographic models.
Establish a Connection:
Establishing a connection with your photographic model is essential for getting great results. Take the time to get to know your model and make them feel comfortable. A relaxed model will be more willing to take risks and try new poses, resulting in more interesting photos.
It is also important to remember that models are people, not objects. Respect their boundaries and communicate with them in a professional manner. Ensure that the model understands what you are looking for and what you are trying to achieve with the photoshoot.
Use Clear Directions:
Clear directions are essential for a successful photoshoot. Use simple, direct language when giving instructions. Be specific about what you want the model to do, and give them feedback on their performance. Encourage the model to ask questions if they are unclear about what you are asking.
Visual cues can also be helpful. Show the model examples of poses or facial expressions you are looking for, and demonstrate if necessary. This will help the model understand what you are looking for and provide a visual reference for them to follow.
Provide Positive Reinforcement:
Providing positive reinforcement can make a huge difference in a model's confidence and performance. Encourage the model when they are doing well and provide feedback on what they are doing right. This will help them feel more comfortable and confident in their abilities, resulting in better photos.
On the other hand, avoid negative feedback. Instead of saying "that's not working," provide constructive feedback on what you would like to see instead. This will help the model understand what you are looking for and avoid becoming discouraged.
In conclusion, effective communication with photographic models is essential for getting great results. Establishing a connection, using clear directions, and providing positive reinforcement are all strategies for achieving a successful photoshoot. With these tips in mind, you can create beautiful, memorable photographs with your models.
What is an artist?
Being an artist is a multifaceted and complex identity that encompasses a wide range of experiences, perspectives, and skills. At its core, being an artist involves a deep connection to creativity, self-expression, and a desire to communicate with the world through various mediums.
One of the most defining characteristics of an artist is their ability to see the world in a unique way. Artists often possess a heightened sense of perception and are attuned to the beauty, complexity, and subtleties of their surroundings. They have a deep curiosity and an unquenchable thirst for exploration and discovery, constantly seeking out new experiences and ideas to fuel their creative pursuits.
In addition to their perceptiveness, artists possess a strong sense of self and a commitment to their own vision. They are unafraid to take risks and embrace vulnerability in their work, sharing their innermost thoughts, emotions, and experiences with the world through their art. This willingness to be vulnerable and authentic is a hallmark of great art, and it requires a great deal of courage and conviction.
At the same time, being an artist is not just about individual expression. It also involves a deep connection to community and a desire to connect with others through art. Many artists see their work as a way to bridge divides, break down barriers, and build understanding between different groups of people. They often use their art to address important social issues, challenge dominant narratives, and inspire others to think critically about the world around them.
Image composition
Photography is not just about pointing a camera and clicking the shutter button. It’s about telling a story, conveying an emotion, or capturing a moment in a way that captivates the viewer. One of the most important elements of photography is composition – the way in which the photographer arranges the elements within the frame to create a visually appealing image.
Here are some tips to help you improve your photography composition:
Rule of Thirds
One of the most popular rules of composition is the Rule of Thirds. The Rule of Thirds involves dividing your frame into a 3x3 grid and placing your subject along one of the lines or at an intersection point. This creates a more dynamic and balanced composition, as opposed to placing the subject in the centre of the frame.
Leading Lines
Leading lines are a powerful compositional tool that can be used to draw the viewer’s eye into the frame and towards the subject. These lines can be anything from roads, paths, or even the lines of a building. The key is to use them to lead the viewer’s eye towards the subject.
Symmetry
Symmetry can be a powerful compositional tool, especially in architecture or landscape photography. By placing the subject perfectly in the center of the frame, you can create a sense of balance and harmony in the image.
Depth
Depth is an important element in photography composition, as it can help to create a sense of dimensionality and make the image more visually interesting. You can achieve depth by including foreground, middle ground, and background elements in your composition.
Framing
Framing involves using elements within the scene to create a natural frame around the subject. This can be anything from tree branches, archways, or even doorways. Framing can help to draw the viewer’s eye towards the subject and create a sense of depth in the image.
Contrast
Contrast is another important element in photography composition. By using contrasting colors, textures, or shapes, you can create a more visually interesting image. For example, a bright red object against a dark blue background can create a striking contrast that draws the viewer’s eye towards the subject.
Negative Space
Negative space is the empty space around the subject in your composition. By using negative space, you can create a sense of balance and simplicity in the image. This can be especially powerful in minimalist photography or when you want to create a sense of calm or serenity in the image.
In conclusion, photography composition is a crucial element of creating visually appealing images. By understanding and utilizing the different compositional tools and techniques, you can take your photography to the next level and create stunning images that captivate your audience. Remember to experiment, be creative, and have fun!
Questions people don’t like to be asked
When it comes to conversations, some questions can make people feel uneasy or awkward. These questions can vary depending on the context, the relationship between the people involved, and the person's individual boundaries and preferences. Here are some examples of questions that people might find uncomfortable or inappropriate to ask:
Personal financial questions: Asking someone how much money they make, how much they paid for their home or car, or how much they have saved for retirement can be seen as intrusive and inappropriate. People's financial situations are private and personal, and they may not feel comfortable sharing this information with others.
Weight or body-related questions: Asking someone about their weight, body shape, or eating habits can be triggering and hurtful. It can make people feel self-conscious or ashamed of their bodies, and it's generally not a good idea to comment on someone's appearance without their consent.
Personal life decisions: Asking someone about their plans to have children, get married, or start a family can be sensitive topics. People may have personal reasons for these decisions and may not feel comfortable discussing them with others.
Personal trauma or mental health questions: Asking someone about their experiences with trauma or mental health issues can be triggering and uncomfortable. It's essential to respect people's boundaries and not pry into their personal experiences unless they choose to share them.
Discriminatory or offensive questions: Asking someone about their religion, sexual orientation, race, or other personal characteristics can be discriminatory and offensive. People have the right to their privacy and should not be subjected to questions that make them feel uncomfortable or marginalised.
In conclusion, while there may be some questions that people find uncomfortable or inappropriate to ask, it's essential to respect others' boundaries and to refrain from asking such questions. Instead, focus on having meaningful conversations that respect people's personal preferences and boundaries.
Small talk
And how to excel at it:
Small talk takes up about 33% of all the talking we do, it makes people decide whether they like us or we can be trusted, we are sort of categorized in other people's minds. It's very important socially but can make you feel or appear awkward or boring.
What to do:
Be excited to see everyone, if you are excited they will be too, mimicking your response.
Talk to them like a dear friend, that is a friend you actually like. Talk as if you have known them 30 years! Again they will mimick you>
Assume they are fabulous.
Assume they are the best at what they do and are fun, and fascinating, with a wonderful soul!
Try it, see what happens.
Positive and negative mindset
Try replacing “ I’ve got to go to work, and avoid using I’ve got to in any sentence with “ I get to go to work today”. See how you feel about yourself and your day when you change one word from negative to positive.
3 Rules of life
1: If you don’t go after what you want, you will definitely never get it.
2: If you don’t ask, the answer will always be no.
3: If you don’t step forward, you will always be in the same place.
String to a bow
Ok, so a series of happy and progressive coincidences have led me to the point where I have helped, and continue to help dog owners who; for many reasons; are having difficulty with their dogs and their behaviour. Very often communication is the issue in that the dog simply does not know what is expected of it for any given situation and of course like us, they have different personalities. If you are in this position I can help you to establish the basic core competencies you need as a responsible dog owner. And most importantly, build a trusting and loving relationship between you and your puppy/dog. Contact me at kevincull@mac.com for further details.
Slowly does it
So whilst we were in Northern Italy a couple of months ago touring the Northern Lakes we stayed overnight at this lovely hotel that overlooked one of the lakes, it had spectacular views, and an Olympic size 50m swimming pool.
Many, many years ago I was fortunate enough to represent the Royal Navy in a couple of inter service swimming competitions. I grew up with one of my best friends being an Essex county champion and some of it rubbed off, or so I thought. I was ok.
We had made friends in Italy with a lovely couple who were passionate triathletes, and they had invited us to join them for a morning by the pool and we eagerly accepted. It was a beautiful day, I jumped in and started my first length freestyle. What was this? at the end of that first 50m I was completely out of breath. Although fit out of water I was completely unfit in it, my breathing technique was shot and yes I did keep swimming and did a couple more 50m lengths individually but I was given a massive wake up call.
My point?: When we got back I decided to supplement my three gym sessions a week on a Monday, Wednesday and a Friday with a swim Tuesday and Thursday mornings as well. My local pool is a standard 25m and my first dubious attempts at continuous swimming were let's say unimpressive.
By setting a goal of increasing my total continual distance of two lengths every week I achieved a personal best of 40 lengths this morning, 1000 metres!
Select realistic goals that put you just out of your comfort zone and work towards them, when you reach them pat yourself on the back and do it again. I think that is real sustainable progress.
Thought for a Thursday
1: “What you think about creates your reality”
2: “What you focus on is what you will find”
3: “What you think about, is what you feed your mind”
Tech on Tuesday
File Management:
I was wondering what to write about in this update, when it occured to me that many of you may just be starting out on your photography journey wondering how when you become the star photographer you are destined to be; You handle all the files and folders you accumulate, how you separate your family and friends images from those of your increasing list of professional and semi-professional clients, and how you generally keep sane!
After all every credible photographer gives the most important piece of advice anyone can give.....Keep shooting, just keep shooting etc, etc. which means, lots more files.
Next question you are probably asking is who the hell is this guy to give me advice? Well let me answer that by saying there is a world famous adage that that you are only good at something if you do it all the time!
I have spent years trying every permutation of listing and file naming you can think of, creatively trying out new stuff thinking I was going to one day come across the next big thing that would change the way photographers work and improve their workflow. Let me now save you all a world full of heartache, exhaustion and wasted time! It goes like this:
Folder: Master images
Inside: Folder for each year.
For each shoot when you import the raw file, create a folder with the following hierarchy,
2014.07.20 John and Jennifer's Wedding
What you do within that folder then will depend on your workflow, I immediately back up the original files to an external hard drive where they are left untouched. Within the above date folder will be folders for processed images and flattened pegs. Then clients pics and album selection.
For you it might be different, and I know that there is never only one way. BUT, in my humble and LENGTHY experiment into the world of file management, if you deviate far from the above, you are pretty much stuffed!
Have a wonderful week!
KjC
Fuji and me, I wish you well.
In the last few months I have been asked a number of times why a few years ago I stopped using the Fuji X Series Cameras, and so to simplify things here is a blog post entry.
Moving camera systems is not a decision any photographer takes lightly.
Once you choose a camera system for professional/semi professional use the addition of pro lenses, flash systems, and spare camera bodies starts to represent a very significant investment and as a semi Pro/Pro you need to get something back on your investment as well as making sure you have the right equipment for the job you need it to do.
I think it started way many years back when I went on a three day Wedding Photography course with Damien Lovegrove. He was shooting BTS with the then Brand new Fuji X100. He was smitten and I was immediately charmed by its cute small form factor and amazing 35mm equivalent fixed Lens. A long time after that and having read the gushing praise from everyone that touched it, I sold everything I could and bought one. Not to replace My Nikon Kit you understand but this would be the perfect take everywhere and always have it with you camera.
I really enjoyed using the X100 even if it was a slow camera in operation (even after the software updates) compared to any recent camera I had used, and it came with me on a couple of trips abroad as my personal camera. Whilst never having the confidence to use it in anger at a Wedding or Portrait shoot as a primary camera, I would take candid and BTS images and it soon impressed me with its low light capability.
I also enjoyed the size and weight, and it proved itself extremely worthy for what was to be my first attempts at street photography.
The XT-1 and XE2 came out, The gushing praise was free flowing from amazing photographers all round the world, and I was lured into questioning my own methods and thought processes. Could this really be the system to replace my full frame DSLR and lenses? I decided if this was the way forward I needed to be in at the start, leading from the front and bought these two cameras with the 56mm F1.2 and Kit 18-55mm OIS lenses.
I started taking my X100 to local photography group sessions where it was a great conversation starter, with its ability to create a great file in low ambient light, as well as with outdoor flashes and indoor strobes.
The XE2 I took out with me a lot with the outstanding 18-55mm lens, bigger than the X100 but with the innards of the XT-1 it was a great travel outfit which worked well underwater with the ‘Aquapak” .
I waited patiently resisting any urge to get the much lauded X100s but along the way sold my Nikon D700 (Totally wrong move) to help finance a great deal on the 50-140 2.8mm lens. My 70-200mm replacement! Surely I can take the plunge and leave my DSLR at home? Well……No.
Things continued with a mix of Nikon and Fuji at various events for some time and I was getting a growing set of Fuji lenses, I eventually got the 35mm 1.4, and 16mm wide angle prime lenses as well which by the way are superb , my personal photography at this time was pretty much Fuji based, at least in digital terms.
Obviously no camera is perfect, and I did have a few issues:
My biggest was AF consistency in low light, what seemed to be a sluggish shutter and the short life of the batteries, the AF performance improved with some of the Fuji software updates and the camera became more bearable. I used the cameras advantages, small size and low weight, and worked round its disadvantages, slow AF, poor battery performance and lack of a professional TTL flash system.
For static people, travel and architectural images the cameras were very good, The problem is personally I have not stuck to one genre of photography, and The Fuji’s were not working quickly enough to suit my way of working.
… but the big one was my pictures were becoming more static? and I was loosing the response I had previously enjoyed because my Fuji’s which were basically slow in operation compared to modern DSLR equipment.
I had kept my Nikon D800, but my foray into the arms of Fuji had, (apart from the expense!) left me without an equivalent back up camera. The intention to use the Fuji system as a back up and then move across totally was a non starter for the above mentioned reasons plus the following:
When I retired from my home office post I immediately flew out with Chris Weston and photographed the Arctic Polar Bear Migration from the Banks of the Hudson Bay in Manitoba Canada. Even the D700 (I had the D800 as well, a prosumer camera) only froze twice in ten days despite -45 degrees in the wind chill towards the end of the ten days we were there. (As a side note Chris left his D3s outside doing time lapse all night with no problems, that’s why you pay £4000.00 for a camera!
Although the build quality of the Fuji’s is extremely good, It would never convince me it would take the physical abuse I would throw at it on a daily basis for very long. (I say this knowing there are lots of Pro Photographers using these cameras on a daily basis indoors and on location in the dry with no problems). There are however inevitable concessions that have to be made in weather proofing and durability when you are cramming so much technology in such a small body.
Another thing is Ergonomics, Nikon have always been miles ahead (Of say Canon) in this regard, and if this means little to you consider this:
If you have to have a pro level camera and Lens in your hand for most of the day the fact you can balance over £4-5000 of system in one hand on the tip of one finger becomes very convenient and less tiresome despite its obvious weight.
The controls on a Fuji are however well thought out, it is very well made and its light weight,
But.. it is never that well balanced in my view, and if your tall with big hands they can feel a little more delicate than you might like.
Then there is the X photographer thing…. looking on the face of it like an aggressive promotion of the camera brand to the semi or pro market place and I don’t think all the stuff we read is as real as it first seems. There have been lot of amazing photographers on their books up to now, and to think they are not being financially compensated for their time and promotion of Fuji products would seem a little naive, and I have to admit I fell for some of the distractions myself.
I have enjoyed my liaison with the fuji system but ultimately I found myself, especially whenever I have been asked to do any paid work, immediately picking up the long term faithful partners that is my Nikon system.
So the Fuji system is gone, and I have had a Nikon D810 for quite some time now as the main squeeze.
The latest technology isn’t always necessarily the best solution for you, as gear is never as important as the images it produces, So it makes sense to work with the equipment you are really happy with, if not then that is the time to move on….......
What is your Brand?
This a great question, and if you Google it you will get many, many answers long and short, and I bet you know many people who run their own business who don’t know what their brand is or what it stands for.
Fundamentally though, your brand is the experience or expectation anyone has when they have contact either visually , audibly, or physically with you, your business or anyone who works for you or on behalf of you.
I think this is worth revisiting in sections having given it more preparation but I will leave it for now with the above thought.
How can you improve your brand?
Thought for Thursday.
"Photography is an art of observation, it has little to do with the things you see and everything to do with the way you see them." Elliott Erwitt.
Street Photography and Me
Street Photography, does that term mean anything to you, and if so what? It is probably one the fastest growing genres of photography at the moment, especially since lockdown, and whilst the term is very fashionable at the present time I find it fascinating as for as long as I have had a passion for photography I have seen street photography in one shape or another. Any candid photograph of any scene or portrait of a person in the public outdoors could be deemed a street photograph. I would also suggest that your personal favourite photographer would have some street photography if not in their portfolio, then in their personal work somewhere. There is something magical when a brief unique moment in time is captured knowing that it will never be repeated in that context and place again. I am you would say, rather late to the party in relation to this genre, and it is definitely out of my comfort zone, however the skills required only inspire me to practice and get better at this craft, as it can only be of value to the future me whatever the subject matter may be.
Do what you can with what you have?
A few weeks ago I had a shoot booked with some photographer friends. One of them set up a group and we get together every so often and shoot a couple of models, normally on one high key set up and the other low key for variation. Now I use the term model loosely, they can be anyone from someone met in a supermarket to aspiring models that fly over from Spain to get some portfolio pictures done. A real variety of individuals from different walks of life and it can be fun. It is also a bit like speed dating, in that with so many photographers in attendance you have about two minutes each time it’s your turn to introduce yourself, build a rapport, direct the subject and take the images before it’s time for the next one.
The main reason for me mentioning this is the morning before this shoot my main camera’s two PCB circuits decided to pack up leaving me with no squeeze for the main event. Now I could have made my excuses and not turned up. However I have a point and shoot in the shape of a Sony RX100 MK2. This is a pocket camera with no viewfinder but an LCD on the back. Because in a studio environment you need to be in manual mode what happens with this camera when you half press the shutter to focus is that a white frame line appears and then the screen goes black. The beauty of this camera is it has a centre pin hot shoe which allows you to use the generic studio flash trigger’s provided at the venue. You need to keep the shutter speed below the camera’s maximum sync speed so I took a tripod to minimise the very real chance of blurred images.
Despite being the butt of many jokes, most of which are probably rattling around your head right now and me tentatively explaining why I didn’t have my ‘Real’ camera with me, I carried on, concentrating on communicating with my subject and directing the pose. Quickly adjusting the camera to hopefully get the image and click the shutter to a blank screen.
The point of this story is, you guessed it, the majority of the images I took that day came out very well and certainly much better than expected with headshots and portraits the subjects loved. So if and when your prized bit of all singing and dancing kit dies on you, and it will, beg, borrow or grab anything you can that will get the job done. It may not be perfect, but that doesn’t exist. You have however created something for someone who cares, and that’s all that matters.